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The City of Pueblo announced today that it has received a $300,000 donation from the Robert Hoag Rawlings Foundation to be put towards two art sculptures that will be placed along the Dillon Drive Bridge on Pueblo’s north side.
The grant was announced this morning at a news conference at the Sangre de Cristo Arts and Conference Center. The total project will cost $800,000, which includes $200,000 to support a new Art Maintenance Fund.
City officials unveiled the design for a pair of 45-foot public art sculptures as part of the “Gateway to the Southwest” on Dillon Drive. The structures will flank the Dillon Drive bridge going over Interstate 25 north of Pueblo, installed in the center of the east and west roundabouts.
Pueblo’s capital projects manager, Bill Zwick, said the city hopes the artwork will reposition Pueblo as more than just an industrial city.
"Pueblo is culture, history [and] arts,” Zwick said. “This will really give people a signal that, hey, there's something here. Pueblo is a destination place."
He ticked off cultural attractions like the Riverwalk, Pueblo Chili Festival and the Sangre de Cristo Arts and Conference Center.
“We have a lot of culture and that we want to brag about that," Zwick said.
The colorful spires of steel and glazed ceramic tiles are designed by Pueblo-based Ken Williams Studio. In its artist’s statement, the studio described the artwork as, “creating a portal through which travelers will pass. The sculpture reinforces and defines the idea that Pueblo has historically been recognized as the crossroads to the great Southwest.”
While the city has no official public art policy written into its ordinances, Zwick said city council often voluntarily sets aside one percent of capital improvement projects for public art—in the same fashion as the percent-for-art policies cities like Denver and Boulder have adapted. That amounted to $130,000 of bridge construction costs designated for “Gateway to the South.”
“The maintenance and upkeep of public art in the past has fallen short of expectation of the community,” a press release announcing the sculpture said. The new fund would help with issues such as graffiti removal, repairs and cleaning.
Zwick said investing in the city’s public art collection, and more broadly in its cultural identity, would drive tourism to the region.
Artist Ken Williams, who worked on the sculptures with his wife, Judith, and one of his daughters, Gwen, said it’s hard to appreciate the details in the imagery while driving along the highway, “but the form and the scale I think will attract people to exit there.”
The city expects to begin installation of “Gateway to the Southwest” summer 2019 and complete it in March of 2020.